CRKF
is a network of four independent institutions in
Graz whose
common interest lies in the conveyance of contemporary art within an
international context. Free shuttlebus on 24.06.2022 15:00 h Departure from Opernringhof, 1010 Vienna, to Graz 17:45 h Arrival in Graz, Burgring 2, Halle für Kunst 22:30 h Return from Burgring 2 to Vienna Opernringhof, arrival approx. 01:15 h CRKF archive: Spring 2017 Summer 2017 Autumn 2017 Winter 2017 Spring 2018 Summer 2018 Autumn 2018 Winter 2018 Spring 2019 Summer 2019 Autumn 2019 Winter 2019 Summer 2020 Autumn 2020 Winter 2020 Spring 2021 Summer 2021 Winter 2021 Spring 2022 PRIVACY STATEMENT |
Laura
Mulvey & Peter Wollen – Intersections in Theory, Film, and Art Opening 10.6.2022, 6 pm Artists’ talk with Laura Mulvey 11.6.2022, 1 pm Duration 11.6.–14.8.2022 Opening hours Di – So und an Feiertagen 10 am – 6 pm Guided tours German, English, Slowenian Free, on request: exhibitions@camera-austria.at +43 316 81555016 With works by Faysal Abdullah, Holly Antrum, Victor Burgin, Em Hedditch, Mary Kelly, Mark Lewis, Laura Mulvey, Kerry Tribe, Peter Wollen Curated by Oliver Fuke & Nicolas Helm-Grovas Laura Mulvey and Peter Wollen are best known as film theorists and filmmakers. As writers, they made highly influential interventions in film theory such as Mulvey’s Visual Pleasure and Narrative Cinema and Wollen’s The Two Avant-Gardes (both 1975). Between 1974 and 1983, the duo made six films together, seeking cinematic forms that investigated and countered dominant languages of looking, signification, and narration, and that could engage the viewer in conceptual debate. Across writing and filmmaking, their works bring into contact semiotics, feminism, psychoanalysis, and histories and theories of the avant-garde. These concerns, although modulated and reworked in different ways, continue in the projects they undertook separately from the mid-1980s onward.The exhibition at Camera Austria opens up new ways of understanding this body of work by foregrounding Mulvey and Wollen’s multiple engagements with photography, including documentaries about artists working with photography (such as Tina Modotti and Milton Rogovin); theory films that reflect and challenge the cinematic, and hence photographic, gaze itself; numerous critical essays on photography and its relationship to other cultural forms; and their role as important interlocutors for artists working with photography. |
Laura Mulvey & Peter Wollen, Still from: Penthesilea: Queen of the Amazons, 1974 |
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