CRKF
is a network of four independent institutions in
Graz whose
common interest lies in the conveyance of contemporary art within an
international context. CRKF archive: Spring 2017 Summer 2017 Autumn 2017 Winter 2017 Spring 2018 Summer 2018 Autumn 2018 Winter 2018 Spring 2019 Summer 2019 Autumn 2019 Winter 2019 Summer 2020 Autumn 2020 Winter 2020 Spring 2021 Summer 2021 Winter 2021 Spring 2022 Summer 2022 Winter 2022 Spring 2023 Autumn 2023 PRIVACY STATEMENT |
Double
Exposure With works by Rebekka Bauer, Oliver Husain & Kerstin Schroedinger, Sara-Lena Maierhofer, Sim Chi Yin, and: Lisa Holzer, Flo Maak, Sophie Meuresch, Georg Petermichl, Stefanie Seufert, Niklas Taleb. Opening 24.11.2023, 6 pm Lecture Performance Oliver Husain and Kerstin Schroedinger: DNCB – A History of Irritation 25.11.2023, 4 pm Artist talk Sim Chi Yin 7.12.2023, 4 pm Duration 25.11.2023 – 28.1.2024 Opening hours Tue – Sun and bank holidays 10 am – 6 pm Guided tours German, English Free, on request: exhibitions@camera-austria.at +43 316 81555016 Curated by Anna Voswinckel In the context of the exhibition, the image of “double exposure,” borrowed from the field of analogue photography, serves as a metaphor for processes of memory politics that are explored and transformed through randomly found images or specific viewings of archives. What does it mean to expose oneself repeatedly to inscription? Four very different artistic practices are juxtaposed here; each of them employs individual methods that visually (re)write unavailable or repressed experience and, in doing so, react to the dispositives of the respective media and the aesthetics of the image. While Sara-Lena Maierhofer’s photographic works initiate a process of reflection on questions of documentation and the evaluation of (colonial) archives, Sim Chi Yin’s multimedia practice illuminates the complex, transnational political entanglements of colonialism and its traumatic effects on (family) biographies and expands the intergenerational process of memory work. Through procedures of positioning and montage, Rebekka Bauer’s mixed-media installation Die Aufstellung (The Constellation, 2020–present) searches for clues as to how unprocessed history and violence carry through family biographies and leave their mark on bodies and relationships. In their joint artistic research work DNCB (2021), Oliver Husain and Kerstin Schroedinger combine material experiments, historical research, and performance to uncover a little-known history of research and movement that is uniquely linked to the history of analogue photography. The group exhibition will be integrated as a spatial intervention in parts of the previous exhibition Exposure and will resonate with the remaining works. |
Oliver Husain and Kerstin Schroedinger, still from: DNCB, 2021 |
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